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"Make My Skin Crawl" by Liu Dao "What Would Dante Do?" by Liu Dao "Famous Flower 1932" by Liu Dao "Many Men and One Lily" by Liu Dao "Blossom Fever on Avenue Joffre" by Liu Dao "Ling Long Lady" by Liu Dao
"The Sound of Leaves Departing From a Silent Tree" by Liu Dao "Paramount Peaches" by Liu Dao "Comprador Can-Do" by Liu Dao "Chasing The Dragon's Tail" by Liu Dao "Blue Cloth Robe For Dancing" by Liu Dao "Puppy Love" by Liu Dao
"JollyJumper" by Liu Dao "Nordic Vibe" by Liu Dao "Love Lane Affair" by Liu Dao "Puppy Dog's Tails" by Liu Dao "Unravelling Conspiracy" by Liu Dao
"Wan Gang on The Green" by Liu Dao "Thanks For The Memories" by Liu Dao "With a Red String" by Liu Dao "Gracie's Gal" by Liu Dao "Boudoir Vainglory" by Liu Dao
"Goddamned Shanghai" "Goddamned Shanghai" "Goddamned Shanghai" "Goddamned Shanghai" "Goddamned Shanghai" "Goddamned Shanghai"
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"Goddamned Shanghai"

"It took more than one man to change my name to Shanghai Lily."
- Marlene Dietrich in “Shanghai Express” (1932)

To the missionaries who stumbled green-faced and wobble-kneed off the bumboats in 1930s Shanghai, the city must have seemed a hellhole utterly damned beyond salvation. The heaving, pulsing city was reigned over by twin regents – abundance and abjection. Ritzy restaurants, smoky opium dens, rich fabrics and dazzling jewels in jazz clubs existed alongside the plywood frames of filthy Chinese whorehouses, cramped tenements of squatters, and a thriving underworld. Shanghai’s economic boom attracted not just big money-spenders and their big money-spending ways, but also an army of ne’er-do-wells profiteering from any scraps of opportunities they could scrounge up. Apart from that, political clashes between the left and right parties, as well as the encroaching threat from the Japanese, created a city on edge and an atmosphere of living-in-the-now.

From all these grew an identity that has remained iconic even till this day. No other era could conjure up an equivalent image of glamour, wealth, grit, crime, squalor and uncertainty as Shanghai in the 1930s. Where streets of small stores now crowd, the thick-heeled soles of the Green Gang’s leader, Du Yuesheng 杜月笙, once trod heavily. The island6 art collective is smitten by the heady vibrance of the time and inspired to recreate its unique, bold beauty.

From the usual motifs that have become synonymous with the era, like opium beds, Charleston dances and qipaos with thigh-high slits, the island6 art collective reinterprets 1930s Shanghai with their signature touch, fusing disparate elements into an original, harmonious whole. Thus, the LED animated glamor-puss of Make My Skin Crawl reclines on a paper cut opium bed, blowing smoke revisioned as electronic diodes that chase each other across a rice paper background. The sensuous jazz-bunny wiggles her pert, computerized bottom in Gracie’s Gal. Neon signs light up old photographs of the ol’Bund, unrecognizable by anyone standing there today. Alluring beauties in Paramount Peaches, reminiscent of the enigmatic screen goddess Zhou Xuan 周璇, whirl across the diptych screen, their ageless grace immortalized by thousands of flashing, colored electronic dots. Antique furniture picked up from the trash piles of bull-dozed shikumen estates are given a new life not just with varnish and paint, but also with interactive LCD screens that are triggered by motion sensors, capturing within their scratched surfaces a sultry siren's image. And in addition to electronic art, the collective has also forayed into sculptural pieces, infusing the strong, static artworks with the humor and irreverence characteristic of László Hudec’s distinctive Art Deco style, evocative of the lingering evenings spent at the Park Hotel.

Through this, island6 seeks to bring back to our collective consciousness one thing that is frequently forgotten in the wake of the sensational opulence of the 1930s – that this was a significant time of communication, experimentation and driving passion. Through blending different multimedia techniques, the collective recreates a metaphorical Garden Bridge, reflecting the meeting of East and West in the same way the historical bridge linked the Chinese and international settlements. island6 has captured within antique-style paravents and frames the frozen figures of a time past, who stare out at us with a palpable desire, strength and beauty in a city damned by gods but embraced by waves of denizens.

"Goddamned Shanghai" "Goddamned Shanghai"
该死的三十年代
island6 Arts Center, Shanghai
DATES From December 10th 2011 to February 29th 2012
VERNISSAGE December 10th 2011, 7-10p.m
CURATION Jack Mur, Loo Ching Ling 吕晶琳
ART DIRECTION Thomas Charvériat, Tanguy Laurent 多问
RESEARCH Katharina Droste, Joel Barker, Lelia Pollett
COORDINATION Yeung Sin Ching 杨倩菁, Gaelle Cohen, Camille Jaganathen
VENUE island6, 50 Moganshan Road, building #6, 2F, Shanghai 200060, PRC
ARTISTS

island6 art collective (Liu Dao 六岛)

ABOUT

Straight out of 1930s Shanghai come picturesque visions of enchanting flappers, sinful pleasures, and ultimate decadence. The heaving, pulsing city was reigned over by abundance. Ritzy restaurants, fancy jazz clubs and smoky opium dens were filled with glamor girls in rich fabrics and dazzling jewels. For island6's 60th exhibition, the artists are opting for grandiosity. In Goddamned Shanghai, hot bunnies and cool jazz capture the true essence of Shanghai-style indulgence in a series of dazzling multimedia artworks. Join us and step back in time- put on your felt hat, and let us lead you to a den of extreme pleasures and absolute debauchery. (read more >>>)

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island6 is a philanthropic project founded by artists and managed by voluntary staff. The spirit & driving force behind all of island6's works and art-forward exhibitions is collaboration.
六岛是由艺术家自发创立, 由志愿者管理的公益艺术机构。其精神是为艺术家提供平台并支持各项协作项目。