"Yashinon" (雅西卡)
// BLURB //
The Yashinon is like the cool fashion girl everyone notices but no one quite understands. She doesn’t chase attention, it follows her. Through this lens, the world feels styled without trying. Casual becomes intentional. Ordinary becomes editorial. Even a glance over the shoulder looks like it belongs in a magazine spread from another decade. This lens knows its angles. It flatters without flattery, softens without apologizing. Highlights fall like studio lights in a downtown apartment. Shadows cling like secrets. Colors feel dressed, tailored, chosen, composed; not merely worn. Nothing looks accidental, even when it is. The Yashinon doesn’t rush. It lingers. It makes you aware of posture, of presence, of the drama in simply standing still. Picture a cigarette pause. A lipstick check in a compact mirror. A trench coat caught mid-sway. It understands that style is about being seen, and never forgotten. There’s confidence here, but never loud. Cool, but never cruel. It frames people as if they already know who they are. And through it, somehow, you start to believe you might too. The Yashinon doesn’t capture moments. It makes icons. And somehow, it’s impossible to look away.
The Yashinon is like the cool fashion girl everyone notices but no one quite understands. She doesn’t chase attention, it follows her. Through this lens, the world feels styled without trying. Casual becomes intentional. Ordinary becomes editorial. Even a glance over the shoulder looks like it belongs in a magazine spread from another decade. This lens knows its angles. It flatters without flattery, softens without apologizing. Highlights fall like studio lights in a downtown apartment. Shadows cling like secrets. Colors feel dressed, tailored, chosen, composed; not merely worn. Nothing looks accidental, even when it is. The Yashinon doesn’t rush. It lingers. It makes you aware of posture, of presence, of the drama in simply standing still. Picture a cigarette pause. A lipstick check in a compact mirror. A trench coat caught mid-sway. It understands that style is about being seen, and never forgotten. There’s confidence here, but never loud. Cool, but never cruel. It frames people as if they already know who they are. And through it, somehow, you start to believe you might too. The Yashinon doesn’t capture moments. It makes icons. And somehow, it’s impossible to look away.
EDITION, MEDIA, SIZE & WEIGHT
One-of-a-kind work, issued as a unique edition
Shanghai 2025
TFT display, media player, IR sensor, acrylic painting on Plexiglass, Vietnamese linen embedded in hand cast resin, teakwood frame
120(W)×120(H)×6(D) cm // 46 kg
CRATE SIZE & WEIGHT
132(W)×132(H)×21(D) cm // 86.9 kg
EXPOSURE
“The Fourth Wall” at island6 Shanghai
CREDITS
Wang Chuanwen 王传文 (painting) • Yang Suer 杨素儿 (performance) • Helen Chen 陈韵涵 (art direction) • Yeung Sin Ching 杨倩菁 (production supervisor) • Thomas Charvériat (art direction & animation) • Tiara Alvarado-Leon (blurb)
One-of-a-kind work, issued as a unique edition
Shanghai 2025
TFT display, media player, IR sensor, acrylic painting on Plexiglass, Vietnamese linen embedded in hand cast resin, teakwood frame
120(W)×120(H)×6(D) cm // 46 kg
CRATE SIZE & WEIGHT
132(W)×132(H)×21(D) cm // 86.9 kg
EXPOSURE
“The Fourth Wall” at island6 Shanghai
CREDITS
Wang Chuanwen 王传文 (painting) • Yang Suer 杨素儿 (performance) • Helen Chen 陈韵涵 (art direction) • Yeung Sin Ching 杨倩菁 (production supervisor) • Thomas Charvériat (art direction & animation) • Tiara Alvarado-Leon (blurb)
CLOSE-UPS
VIDEO
